Color theory

Two to a greater extent females could in like manner be seen move forward from the tip faint. All the characters in the ardeucerk ar seen wearing handed-down Malay clothing. The gagaer peeress operating the flower croak has a lot of facial thoughtfulness and she is shortly packing a sweetness of flowers together. The younger noblewoman operating the flower stall is sitting on her left with a rattan palm basket on her lap. thither atomic number 18 whatever flowers in her rattan basket and she is packing them together. The doll guest with a young child is expeditious choosing the flowers she wants from the basket laid in front of her epoch the other madam customer is still deciding on what flowers she wants. ) Technical Innovations This artwork consists of a lot of texture. The canvas itself has a rough surface and petroleum based blushing mushroom will reach behind some medium after it was dried. By using oil colour on canvas, the artisan is able to create an artwork which rich in actual texture after it was completed. The artist had to a fault created value in this artwork. The characters and objects in the artwork memorialises value as each Of them guide a combination of comfortable and darkness tone on them. The artist had employ a combination of assorted values of the same trick when characterization the characters and objects.The artist had used a lot of pigmentation in creating this artwork. As a result, this artwork is rich in affectation. The artist had besides minimized the place in this artwork. in that location is in truth little distance between the characters and objects in the artwork but the artist had made the characters further away smaller to show that their position is further away. As a result, the artwork damps a very compact yet realistic feeling to its audience. E) Opinion approximately the artwork I) Subject matters All the people in this artwork be seen wearing a type of traditional Malay cloth ing cognise as the Baja Koruna.The background to a fault features a lot Of Reese and a discolouration track, indicating that there is a mettlesome chance that this nip IS located in the country billet rather than in the more developed cities. In my opinion, the artist is exhausting to tell us that this is a word picture from a Malay colonisation located in the countryside. The primary(prenominal) characters of this artwork are the old lady and young lady running their flower stall and the supporting characters would be the few customers at the stall. The background of the artwork is yellowish in color, indicating that the duration could be in the pointing.In my opinion, the two ladies had set up their stall chthonian a big tree to seek shelter room the warming evening sun as it is uncomfortable and it will cause the flowers to sag faster. The livelys of the people living in this village are simple as they could work as switching flowers by the roadside to support them selves. They are non bound by the rules and regulations normally raise in the busy metropolis life as portrayed in the artwork above. in that location are no local law enforcers to chase them away patronage they are trading with off a proper premise or license.This scene would not appear in large cities as city councils requires the sellers to vex an official permit to be displayed at their stall or the city council will end in their people to chase them away or confiscate their trustworthys. The flowers are separated based on their colors and were placed inside baskets to be presented to the customers. The flowers are only available in yellow, orange, ruby- cerise and purple. In my opinion, the variety of flowers available are limited due to it is currently not blossom season. The old lady in the artwork shows a light smile on her face when she is serving her customers.This shows that the people in this village are very polite and friendly towards each other. The old lady is holding a bouquet of flowers on her hand which consists of the red and yellow flowers. It is likely that she is wrapping the flowers chosen by her customer which is the lady with the little girl. Judging by the age of the lady, the young girl is nearly likely to be her daughter. It is viable that the lady was bringing her daughter out for a walk when they came across this flower stall where they decided to comport a look and purchase some fresh flowers to decorate their home. on that point is a younger lady sitting beside the old lady at the flower store. In my opinion, she may be the daughter or granddaughter of the old lady and she is seconding the old lady to run the flower stall. She has a rattan basket on her lap with some lower in it. It is practical that she may be packing the flowers according to the customers demands. thither is to a fault some other lady customer in dark red Malay dress. She is face at the trey silver buckets with her hand holding her chin. She may be indecisive on which flower to buy. There are similarly two Malay women walking away from the flower store.It is practical that they had just bought the flowers from the stall and are walking back to their home. Ii) Values This artwork consists of the social and rescue value. The artist is laborious to show his/her audience the social and stinting conditions in a rural Malay illegal. Social value could be seen from the individuals in the artwork. The two ladies running the flower stall are dressed neatly but their fit out are plain and lack decorations. This suggests that they are not very rich and have a lower status in the society. The other three customers are wearing the same type of tog but their clothes are more stylish with added patterns.They are alike not working but are buy atping for goods. This suggests that they are richer than the give ladies running the flower stall and it is possible that they may from the nerve or upper part of the society. However, n one of the harassers in the picture showed arrogant side towards each other despite being from dissimilar social classes. The economic factor could also be seen from the artwork. Selling flowers is one of their local business concern in order to earn income. The two ladies running the flower stall is trading with their customers. Judging by the simple conditions of the flower stall, the prices of the flowers should not be too high.The flower stall has a lot of customers. This suggests that the local preservation is doing well as people have extra income to be dog-tired on decorative items. A) Artwork 2 b) I) Title of the artwork koala bear Kananga Street I) Name of the artist- Ye Amok Sin iii) Media Water Color iv) go through of origin -? Nil This artwork is a scene of a roadway in town. There are double storey deceive lashings painted in sinlessness along the course. All of the hook haemorrhoid have their own planetary house. There are Chinese and English belles-l ettres on the signboards. There is a bakehouse work patronise at the left side of the picture with a lot of pastry trays sonsie up outback(a) the shop.There are also some horse barn outside the shop lots. Some of the stable have ample umbrellas everyplace them but some do not and here are people selling things in the stalls. There are also a few customers looking at he goods on sale at the stalls chthonic the huge umbrellas. There is a Tristan paddled by a man in the center of attention of the road. A lady is also seen walking alone On the street while carrying some goods in a plastic home on her hand. This artwork is a blend of a few art elements. matchless of the elements found inside this artwork is value. The scene in artwork is an unfastened area and the artist had used value to show the direction of the light.The light source in the picture is on the upper left side of the picture as it is b salutaryer on that side. Shadows of the buildings and people are also point ing towards the polar erection of the light source. The usage of value had also given the objects in the artwork a 3-dimensional framing on a flat charm of paper. The artist had also used space to create an illusion that some objects and people in the artwork are further away. The bakehouse shop on the left is bigger in size than the row Of shop lots on the right. This gives the audience an illusion that the bakeshop shop is the closer and the row of shop lots are further away.The artist had also used the line element in this artwork. The people in the artwork are formed from vertical lines which could be seen from their straight postures. The artwork captures the scene at a very peaceful street called the Koala Kananga Street. The artists main focus on this artwork is the lady walking on the road, the bakery shop and the man selling things in the stall beside the bakery shop. There are shop lots along the street painted in white color. These shop lots contains traditional des ign elements which is normally found on buildings from the pre-first world war era.In my opinion, these buildings are painted in white color as it is the current trend of the time. People back past may perceive that white buildings look clean and tiny which could help hem attract more customers. There are also a lot of stalls along the street, indicating that it could be in the morning. There is a lady walking alone on the street with a bag of goods on her hand. She is seen in more advanced(a) clothing. In my opinion, it is most peradventure that she is a housewife from the medium or upper social class who is out to buy some raw materials needed for preparing dinner.The facial expression of the lady could not be clearly seen as her face is pointing towards the floor. It is possible that her children had gone to school and her husband had gone to ark, leaving her alone when she goes on her daily routine of going out shopping for family supplies. This could be the ground why she lo oks lonely and bored as she walks down the street. There is also a bakery shop on the left side of the artwork. It is a bakery shop because the Bakery word is written on the red signboard hanging outside the shop. There is a lot of pastry trays stacked up neatly outside the shop.These pastry trays are used by the bakery to put their finished products and it is possible that they are stacked outside the shop awaiting collection by customers. Judging from the large number of pastry trays outside the shop, his bakery shop is very profitable and is able to sell a lot of their products daily. This bakery store may be very famous or it is possible that the bread and pastries made by this bakery are very delicious. There is a small stall with a man selling things in it beside the bakery. The stall is hid under the shadow of the bakery shop and away from the sunlight.It is possible that the man chooses to place his stall to block the hot sun as he does not have a huge umbrella over his sta ll like the other stalls across the street. The size of his stall is also small and there is a bucket on the store. It is Seibel that he is selling beverages and uses the bucket to contain the beverages he had prepared. He could be earning a lot of money from the sales of his beverages as the weather is hot and shoppers walking along the street would s overstep at his stall for a drink and rest to refresh themselves. One of the windows on the second floor of the shop lot located opposite the bakery is opened.This indicates that it is vacancy on the second floor Of the shop lot. It is possible that the family of the shop owner is currently living there. Most of the families of shop owners during that time live on the second lour of their shop to save up from paying additional rent for a house. It is also more convenient for the shop owners as they could run their business on the ground floor while being at home to take care of their families. All the shops have very clear signboards outside each of them and the signboards consists of Chinese and English writing.It is possible that this is a Chinese based community under the British colony. There are no cars and there is only a Tristan in the middle of the road. The number of cars at that time is very less and the Tristan is the main form of transport. The weather is also very hot as the stalls by the road have big umbrella over them to help them keep off the heat from the sun. The artwork consists of social and providence value. The artist is trying to show his/her audience the social and economic conditions of Chinese community living under the British colony. The social value could be seen from the people in the picture.The lady walking in the middle of the street is wearing modern clothes influenced by occidental culture as brought by the British. It is possible that she is from a wealthier family as only the wealthy people at the time embraced the western fashion. She also does not go to work but stayed as a housewife. The owner of the small beverage stall is seen wearing more traditional Chinese clothing. He may be from a poorer family compared to the lady walking on the street. The economy value could also be reflected from the artwork. The artwork consists of shops and stalls on the street preparing to conduct business with their customers.This shows that the economic is in good conditions as the businesses are still going on well. A) Artwork 3 b) I) Title of the artwork repentance cumulus ii) Name of the artist hen Chin Chining iii) Media Oil Pastel iv) Date of origin -2014 This artwork is nigh the funicular ready which is located at penance Hill, Penance. This artwork is knowing to look like three moulds from different era consisting of three different designs of the funicular railway Train which was updated over time. The three mullers made up a timeline starting from the layer and each contains design characteristics of the time.The mental picture at the scu m bag represents the Funicular Train in the year 1923. It contains the Funicular Train in its first design and the picture is painted in pitch-black and white. There are a lot of trees and bushes in the background. The word 1 c is also seen on the leave eight corner of the revenue stamp and the year 1 923 was stated at the bottom of the stamp. The stamp in the middle consists of Funicular Train in its updated and more modern second design. There are less bushes and trees in the stamp in the middle compared to the stamp at the bottom.The Stamp in the middle is colored and the word ICC could be seen on the top right corner. The year 1977 was also stated on the bottom of the stamp. The stamp on the top features the Funicular Train in its modish design. There are even less trees and bushes in the background compared to the stamp in the middle and the clear blue riffle are also clearly exposed. There is a RMI word on the top right corner of the stamp and it is recorded as the year 2 01 1 on the bottom part of the stamp. The artist had used different techniques when creating the three stamps in the artwork to give them a distinguished look from each other.The stamp at the bottom is created using the shading technique to replicate the black and white photos commonly found during the year 1923. Value is also shown in the stamp at the bottom as the artist had used different tone of shading when creating it. The stamp in the middle is created entirely from oil pastels and features the less advance drawing techniques from the year 1977. The stamp also consists of the color value as it contains high color intensity. The stamp on the top is created from a blend of oil pastels and poster color.Oil pastels are used to paint the picture while the sky is finished in poster color to give the clouds a softer feeling. Value and space is utilizes by the artist to give the top stamp a look which resembles a modern pic from 2011. This artwork is a combination of three smaller a rtworks in the bring into being of stamps. The stamps contain of checks of different versions of the Funicular Train found at Penance Hill. The public figures are arranged from the bottom to the pop and the time of each forecast was included in the protrude itself by the artist to create timeline of the maturation of the Funicular Train at Penance Hill and the changes to Penance Hill.The images also contain of the characteristics of pictures found on stamps from their era. The stamp at the bottom consists of an image of the first generation Funicular Train at Penance Hill. The entire image is black and white in color and resembles the photos found on the stamps from that era because the artist is trying to replicate a stamp from that era. It was also stated as the year 1923 on the bottom part of the image. This is a meat from the artist that the first generation of the Funicular Train entered into expediency at that year.The crack is small in size and the design of the trai n is simple. The size of the train is small as there is no modern technology to design a train which is capable of carrying a heavier load. There are also less people visiting Penance Hill during that time. Therefore, there is no need for a bigger train as it will incur a higher cost to build it. The Funicular Train also has no windows and the train conductors seat does not even have a door. This reflects that people of the time values function over form and comfort. There are a lot of trees and bushes in the background.The artist is trying to tell the audience that the Penance Hill is undeveloped during that time. 1 c is also written on the top right corner of the stamp and it represents the value of the stamp. The artist is trying to tell the audience about the economic conditions during that time and 15 cents is all that was requisite to send a letter. The stamp in the middle consists of an image of the second generation of the Funicular Train at Penance Hill. This image is colo red and the drawing style super resembles drawings found on stamps from that era.The year 977 was stated on the bottom of the image which is the year that the second generation of the Funicular Train entered into service at Penance Hill. The design of this train is more modern and has windows. This shows that the people at the time had started to value comfort and safety. The train is also larger in size and there are less trees and bushes in the background. The artist is trying to tell the audience that the Penance Hill is more developed at that time and there are more visitors. Therefore, the train is larger in size to cope with the increased number Of visitors. ICC is written on the top right ornery of the stamp.This shows that the local economy had bloomed and more money is required to send a letter compared to year 1923. The top stamp represents the current and current look of the Funicular Train at Penance Hill. This image is more realistic and the drawing style resembles a stamp from the twenty-first century. The stamp is marked as year 2011 which is also the year the third generation Funicular Train was brought into service. This Funicular Train consists of a high tech-modern design and is larger in size. This shows that people from the 21 SST century seeks not only safety and inform but also speed in their travels.This image features even less bushes and trees than the image in the middle and the sky could be clearly seen. The artist is trying to convey a message saying that even more knowledge had occurred and the trees are depleting at Penance Hill. RMI is written on the top right side of the stamp. This shows that the local economy had experienced a huge increase as even more money is required to send a letter. By comparing the three pictures from different era side by side, the artist could show the development of the local economy and the development of Penance Hill.