Leningrad Cemetery, Winter of 1941 takes the reader into the Leningrad Cemetery to see the icy overwinter with its out of work that could not be buried. Sharon Olds paints dramatic pictures, using aright imagination that forces the reader to see the despair of having to use position timber for fuel. The poem shows the reader the dead, the casualties of the siege, and the reckless loss of gay life. Olds delivers her images with linguistic process deftly chosen, striking at the readers mind, causing it to extol at the necessity of wanton waste of lives. The figurative terminology expend in the poem is really dramatic only the hold out few lines of the poem bestow the images with emotions. The hand reaches for life, absent get-up-and-go and life so desperately, that it is willing to come springy again, nevertheless in the dismal winter of 1941. The title and the front lead lines of the poem establish the setting of the poem very understandably and unemotionally. Th e dead could not be buried because the worldly charge was frozen, and even the gravediggers closer to death than they shouldve been, being weak from hunger. Olds rule plunges the reader into a desolate world, where even the dead cannot be properly laid to rest. Hunger prevails, and pose wood is apply for fuel.
The third line continues, the poem begins to shift, describing the dead. The dead are specifically introduced in the middle of line 3 and the theatrical character continues its drop back of thought, thinking aloud and continuing into the attached line. This enjambment accelerates the poem. The voic e trips over into the next line, speeding ov! er the lack of coffin wood the dead should respect extensivey have, the dust-covered and hungry, guilty of stealing coffin wood from the dead in times of scarcity. The preceding lines are... If you want to get a full essay, order it on our website:
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